This fine Makonde body mask features a series of attractive raised and engraved scarafication markings on the surface of its slightly protruding stomach. These marking follow throught to the area above the breasts. The weathered surface was once decoated with red pigments, now faded and worn. The rear of the mask has a lovely deep and slightly glossy patina from regular use.
Female body masks such as these were traditionally involved in Makonde initiation rites. These ‘coming-out’ ceremonies involved male circumcision and doctrination on the secrets of gender, the rules of adult behaviour, sex and the rights and obligations of married life. The accompanying celebrations included feasts, dances and masquerades.
The Ndimu was intended to represent a young woman, and would have been worn by a special male Ndimu masker, in combination with a matching female mask.
Ex Jo Christiaan Collection, Belgium (Brussels)
Estimated Period: Mid 20th Century (1950's)
BOMCBOO
Reference
T. Phillips, Africa: The Art of a Continent (1999), p. 175
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